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The Romance languages, also known as the Latin [2] or Neo-Latin [3] languages, are the languages that are directly descended from Vulgar Latin. [4] They are the only extant subgroup of the Italic branch of the Indo-European language family. The five most widely spoken Romance languages by number of native speakers are:
[2] [3] According to Chapman's theory, each person has one primary and one secondary love language. To determine another person’s love language, Chapman suggests observing how they express love to others, and analyze what they complain about most often and what they request from their significant other most often.
Many other languages use multiple words to express some of the different concepts that in English are denoted as "love"; one example is the plurality of Greek concepts for "love" (agape, eros, philia, storge). [8] Cultural differences in conceptualizing love makes it difficult to establish a universal definition. [9]
Romance languages have a number of shared features across all languages: Romance languages are moderately inflecting, i.e. there is a moderately complex system of affixes (primarily suffixes) that are attached to word roots to convey grammatical information such as number, gender, person, tense, etc. Verbs have much more inflection than nouns.
Afrikaans; Anarâškielâ; العربية; Авар; Azərbaycanca; تۆرکجه; বাংলা; 閩南語 / Bân-lâm-gú; Башҡортса; Беларуская
The Greeks further divided this love into positive and negative: one, the unhealthy version, is the self-obsessed love, and the other is the concept of self-compassion. Aristotle also considers philautia to be the root of a general kind of love for family, friends, the enjoyment of an activity, as well as that between lovers.
Based on the content of that review, they proposed a biological definition of romantic love: [6] Romantic love is a motivational state typically associated with a desire for long-term mating with a particular individual. It occurs across the lifespan and is associated with distinctive cognitive, emotional, behavioral, social, genetic, neural ...
In an article about his translations, Sionóid wrote that Irish poetic forms are completely different from those of other languages and that both the sonnet form and the iambic pentameter line had long been considered "entirely unsuitable" for composing poetry in Irish. In his translations, Soinóid chose to closely reproduce Shakespeare's ...