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The gender of the beloved is ambiguous in Persian. It could be a woman, as in the Arabic poetry which Hafez is apparently imitating, or a boy or young man, as often in Persian love poetry; or it could refer to God, if the poem is given a Sufic interpretation. [35] The final half-verse, like the first, is in Arabic.
Encyclopedia of Arabic Literature. Vol. 2. London; New York: Routledge. ISBN 0-415-18572-6. Moreh, S. (1976). Modern Arabic Poetry 1800–1970: The Development of its Forms and Themes under the Influence of Western Literature. Studies in Arabic Literature, 5. Leiden: E. J. Brill. ISBN 90-04-04795-6
Arabic literature (Arabic: الأدب العربي / ALA-LC: al-Adab al-‘Arabī) is the writing, both as prose and poetry, produced by writers in the Arabic language. The Arabic word used for literature is Adab , which comes from a meaning of etiquette , and which implies politeness, culture and enrichment.
The final element of courtly love, the concept of "love as desire never to be fulfilled," was also at times implicit in Arabic poetry. [ 22 ] The 10th century Encyclopedia of the Brethren of Purity features a fictional anecdote of a "prince who strays from his palace during his wedding feast and, drunk, spends the night in a cemetery, confusing ...
Raymond K. Farrin identifies a ring composition in the poem and divides the poem into five discrete sections: A – B – C – B¹ – A¹. [2] According to Farrin: Section A introduces the idea of the poet's separation from his beloved, Wallāda, and culminates in a mood of hopelessness and resignation. Morning is associated with this somber ...
Jamīl ibn 'Abd Allāh ibn Ma'mar al-'Udhrī (Arabic: جميل بن عبد الله بن معمر العذري; d.701 CE), also known as Jamil Buthayna, was a classical Arabic love poet. He belonged to the Banu 'Udhra tribe which was renowned for its poetic tradition of chaste love.
Nasīb (Arabic: النسيب) is an Arabic literary form, 'usually defined as an erotic or amatory prelude to the type of long poem called a qaṣīdah.' [1] However, although at the beginning of the form's development nasīb meant 'love-song', it came to cover much wider kinds of content: [2] 'The nasīb usually is understood as the first part ...
Qareat El Fengan (Arabic: قارِئةُ الفِنجان; "The Fortune Teller", literally "The Coffee Cup Reader") [1] is a poem written by Nizar Qabbani and performed by Abdel Halim Hafez. He sang it for the first time in April 1976. The song is considered to be one of the classic Arabic songs, and one of the most notable Abdel Halim songs.