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Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. [1] The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature , the Greek lyric , which was defined by its musical accompaniment, usually on an instrument known as ...
Owen's poem Strange Meeting has been described as "a dream of a conversation with a dead lyric poet, or possibly even dead lyric itself." [ 4 ] The Irish poet William Butler Yeats 's work up to 1917 is predominantly dramatic and lyric love poetry, but after the First World War he explores the political subjects of Irish independence ...
Thus, some types of poetry which would be included under the label "lyric poetry" in modern criticism, are excluded—namely, the elegy and iambus which were performed with flutes. The Nine Lyric Poets are traditionally divided among those who primarily composed choral verses, and those who composed monodic verses.
Only a small sampling of lyric poetry from Archaic Greece, the period when it first flourished, survives. For example, the poems of Sappho are said to have filled nine papyrus rolls in the Library of Alexandria, with the first book alone containing more than 1,300 lines of verse.
The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument. [1] Among the most famous of secular poetry is Carmina Burana, a manuscript collection of 254 poems. Twenty-four poems of Carmina Burana were later set to music by German composer Carl Orff in 1936.
An ode (from Ancient Greek: ᾠδή, romanized: ōidḗ) is a type of lyric poetry, with its origins in Ancient Greece.Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally.
"A Dream" is a lyric poem that first appeared without a title in Tamerlane and Other Poems in 1827. The narrator's "dream of joy departed" causes him to compare and contrast dream and "broken-hearted" reality. Its title was attached when it was published in Al Aaraaf, Tamerlane, and Minor Poems in 1829.
Theocritus provides an example of the Hellenistic adaptation of Aeolic poetry in his Idylls 28 – 31, which also imitate the Archaic Aeolic dialect. Idyll 29, a pederastic love poem, "which is presumably an imitation of Alcaeus and opens with a quotation from him," [11] is in the same meter as Book II of Sappho. The other three poems are ...