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The Sistine Chapel's ceiling restoration began on 7 November 1984. When the restoration was completed, the chapel was re-opened to the public on 8 April 1994. The part of the restoration in the Sistine Chapel that has caused the most concern is the ceiling, painted by Michelangelo.
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The Sistine Chapel Choir, as it is generally called in English, or officially the Coro della Cappella Musicale Pontificia Sistina in Italian, is the Pope's personal choir. It performs at papal functions in the Sistine Chapel and in any other church in Rome where the Pope is officiating, including St. Peter's Basilica .
Perhaps the best known of the palace chapels is the Sistine Chapel named in honor of Sixtus IV (Francesco della Rovere). It is famous for its decoration that was frescoed throughout by Renaissance artists including Michelangelo , Sandro Botticelli , Pietro Perugino , Pinturicchio , Domenico Ghirlandaio , and others.
The Sistine Chapel: The Art, the History, and the Restoration, 1986, Harmony Books/Nippon Television, ISBN 0-517-56274-X; Vasari, Giorgio, selected and edited by George Bull, Artists of the Renaissance, Penguin 1965 (page nos. from Book Club Associates (BCA) ed., 1979) Wind, Edgar, Pagan Mysteries in the Renaissance, 1967 ed., Peregrine Books
The Sistine Chapel ceiling (Italian: Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV , for whom the chapel is named.
Sistine Chapel Choir (4 P) F. Sistine Chapel frescoes (2 C, 2 P) Pages in category "Sistine Chapel" The following 3 pages are in this category, out of 3 total.
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations. The complex ...
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