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Beauchamp reports success using a Key/Note Visualizer, note-reading flashcards, and computer programs in group and individual practice to develop grand-staff fluency. Udtaisuk also reports that a sense of keyboard geography and an ability to quickly and efficiently match notes to keyboard keys is important for sight-reading.
Experience with these concepts provides a foundation for learning note-reading during the second year. Simply Music first teaches rhythm notation, followed by pitch reading, and then applies these skills to pieces written in standard music notation. Students learn to read pitches by identifying intervals, rather than individual note-names.
Music theory and note reading are left to the teacher. The Suzuki method does not include a formal plan or prescribe specific materials for introducing music theory and reading, in part because Suzuki created the method in a culture where music literacy was routinely taught in schools.
The "Middle C Method", a "single note identification" method, was the most commonly taught method through the 20th century. It was introduced by W.S.B. Mathews in 1892 but popularized by Thompson's Modern Course for Piano (1936). "Middle C" teaches positions relative to the middle C; in other "single note identification" methods, other notes ...
Exercises 44 - 60: Labeled "virtuoso exercises for mastering the greatest technical difficulties." Since this section is considerably more difficult, Hanon recommends the mastery of both previous parts before proceeding to this one. This part includes repeated notes, repeated double notes, scales in thirds and octaves, tremolos, and more.
A piano trio comprising a pianist, violinist and cellist. Chamber groups traditionally perform publicly from score rather than from memory. Eye movement in music reading is the scanning of a musical score by a musician's eyes. This usually occurs as the music is read during performance, although musicians sometimes scan music silently to study it.
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