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A matriarchal religion is a religion that emphasizes a goddess or multiple goddesses as central figures of worship and spiritual authority. The term is most often used to refer to theories of prehistoric matriarchal religions that were proposed by scholars such as Johann Jakob Bachofen , Jane Ellen Harrison , and Marija Gimbutas , and later ...
Since the 1970s, Goddess Spirituality has emerged as a recognizable international cultural movement. [17] In 1978 Carol P. Christ's widely reprinted essay "Why Women Need the Goddess," [18] which argues in favor of the concept of there having been an ancient religion of a supreme goddess, was presented as the keynote address to an audience of over 500 at the "Great Goddess Re-emerging ...
Goddess movement – Modern revival of divine feminine or female-centered spirituality; Gynocentrism – Dominant or exclusive focus on women in theory or practice; New religious movement – Religious community or spiritual group of modern origin; Pachamama – Andean fertility goddess; Shaktism – Goddess-centric sect of Hinduism
Earth-centered religion or nature worship is a system of religion based on the veneration of natural phenomena. [1] It covers any religion that worships the earth , nature , or fertility deity , such as the various forms of goddess worship or matriarchal religion .
Matristic: Feminist scholars and archeologists such as Marija Gimbutas, Gerda Lerner, and Riane Eisler [55] label their notion of a "woman-centered" society surrounding Mother Goddess worship during prehistory (in Paleolithic and Neolithic Europe) and in ancient civilizations by using the term matristic rather than matriarchal.
Centred on Amaterasu Omikami, the sun goddess from whom conservatives believe the emperor has descended, the "Daijosai" is the most overtly religious ceremony of the emperor's accession rituals ...
[4] [5] These transmissions include the Pūrvāmnāya (Eastern transmission) centered around the Trika goddesses of Parā, Parāparā and Aparā, the Uttarāmnāya (Northern transmission) centered around the Kālikā Krama, the Paścimāmnāya (Western transmission) centered around the humpbacked goddess Kubjikā and her consort Navātman, the ...
The Goddess trilogy articulated what Gimbutas saw as the differences between the Old European system, which she considered goddess- and woman-centered (gynocentric), and the Bronze Age Indo-European patriarchal ("androcratic") culture which supplanted it. [16]