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  2. Perspective control - Wikipedia

    en.wikipedia.org/wiki/Perspective_control

    Picture of Notre Dame de Reims showing perspective distortion The same picture corrected. Perspective control is a procedure for composing or editing photographs to better conform with the commonly accepted distortions in constructed perspective. The control would: make all lines that are vertical in reality vertical in the image.

  3. Perspective distortion - Wikipedia

    en.wikipedia.org/wiki/Perspective_distortion

    Anamorphosis, a form of perspective distortion where an image appears distorted unless viewed from a specific angle, emerged during this period. Hans Holbein the Younger ’s The Ambassadors (1533) famously employs this technique, featuring a distorted skull visible only when viewed obliquely, symbolizing the transient nature of life.

  4. Perspective (graphical) - Wikipedia

    en.wikipedia.org/wiki/Perspective_(graphical)

    Artists may choose to "correct" perspective distortions, for example by drawing all spheres as perfect circles, or by drawing figures as if centered on the direction of view. In practice, unless the viewer observes the image from an extreme angle, like standing far to the side of a painting, the perspective normally looks more or less correct.

  5. Perspective correction - Wikipedia

    en.wikipedia.org/wiki/Perspective_correction

    Perspective correction may refer to: Perspective control procedure for editing photographs; Perspective distortion for perspective handling in images; Perspective ...

  6. Vanishing point - Wikipedia

    en.wikipedia.org/wiki/Vanishing_point

    When the set of parallel lines is perpendicular to a picture plane, the construction is known as one-point perspective, and their vanishing point corresponds to the oculus, or "eye point", from which the image should be viewed for correct perspective geometry. [1]

  7. Tilt–shift photography - Wikipedia

    en.wikipedia.org/wiki/Tilt–shift_photography

    In photography, a perspective-control lens allows the photographer to control the appearance of perspective in the image; the lens can be moved parallel to the film or sensor, providing the equivalent of corresponding view camera movements. This movement of the lens allows adjusting the position of the subject in the image area without moving ...

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