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The colonial architecture of Brazil dates to the early 16th century when Brazil was first explored, created and settled by the Portuguese, who created an architecture familiar to them in Europe. They built sacred and secular buildings, including houses and forts in Brazilian cities and the countryside.
The beginning of the 20th century saw a struggle between old schools and modernist trends. The Week of Modern Art festival, held in São Paulo in 1922, was received with fiery criticism by conservative sectors of the society, but it was a landmark in the history of Brazilian art. It included plastic arts exhibitions, lectures, concerts, and the ...
The colonial architecture of Brazil is defined as the architecture carried out in the current Brazilian territory from 1500, the year of the Portuguese arrival, until its Independence, in 1822. During the colonial period , the colonizers imported European stylistic currents to the colony, adapting them to the local material and socioeconomic ...
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Tropical Modernism, or Tropical Modern is a style of architecture that merges modernist architecture principles with tropical vernacular traditions, emerging in the mid-20th century. This movement responded to the unique climatic and cultural conditions of tropical regions, primarily in Asia, Africa, Latin America, and the Pacific Islands. [ 1 ]
Not all the participants in the Modern Art Week were modernists, like Graça Aranha from Maranhão, one of the speakers at the event. The movement wasn't dominant from the start, but over time it replaced its predecessors through its freedom of style and approach to spoken language. [6] Didactically, Modernism is divided into three phases.
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The last years of the 19th century witnessed increasing diversity of styles. In the beginning of the 20th century, Brazilian sculpture regained strength and was evolving across Neo-Gothic, Art Nouveau, Symbolism, and Art Deco. Funerary sculpture opened up as a major market, and official art produced some important monuments.