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The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
A waistcoat (UK and Commonwealth, / ˈ w eɪ s (t) k oʊ t / or / ˈ w ɛ s k ə t /; colloquially called a weskit [1]) or vest (US and Canada) is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three ...
Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s.
Johann Christian Fischer, composer, in matching coat, waistcoat, and breeches, by Thomas Gainsborough, ca. 1780. The suit is a traditional form of men's formal clothes in the Western world. For some four hundred years, suits of matching coat, trousers, and waistcoat have been in and out of fashion.
Contrasting waistcoats or vests cut like those worn by men were briefly popular. Tall hats or broad-brimmed hats like those worn by men were worn. With the new narrower sleeves, coats and jackets returned to fashion. These were generally knee-length with a cape-like collar.
The Emperor Napoleon in His Study at the Tuileries (1812), exhibiting the hand-in-waistcoat gesture. The hand-in-waistcoat (also referred to as hand-inside-vest, hand-in-jacket, hand-held-in, or hidden hand) is a gesture commonly found in portraiture during the 18th and 19th centuries. The pose appeared by the 1750s to indicate leadership in a ...
Francisco de Goya wears a gray coat over a satin single-breasted waistcoat and a tall-collared shirt that reaches to his ears, with a white cravat. Spanish, 1826. Baron Schwiter wears a dark cutaway coat, waistcoat, and narrow fitted pantaloons or trousers. His flat shoes have square toes and bows on the instep, and are worn with white ...
In the 1830s, men wore dark coats, light trousers, and dark cravats for daywear. Women's sleeves reached their ultimate width in the gigot sleeve. Here, the boys (on holiday in the mountains) wear buff-colored belted knee-length tunics with yokes and full sleeves over trousers. The girls wear white dresses with colored aprons.
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