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The Magic Mirror belongs to the Evil Queen, who constantly asks it—usually in a rhyming phrase—who is the fairest in the land. When the mirror eventually identifies her young stepdaughter Snow White as the fairest, the Queen jealously tries to have her killed, first via her huntsman, then several personal attempts concluding with a poisoned apple.
It comprises a large table-cut diamond with a tuft of feathers, with a pear pearl and a ruby drop beneath. This may be the jewel called the "Portugal diamond" or the "Mirror of France". [220] The "Mirror of Portugal" was acquired by Queen Elizabeth from António, Prior of Crato and re-used by Anne of Denmark with the "Cobham pearl". [221]
A silver Chinese lock amulet decorated with dragons and peonies. Its ends have small coin-shaped openings to deposit money in. (Museon, the Hague.). The lock shape itself symbolises an actual security lock, embodying the parents' wish for its wearer to be "locked" to the earth or "locked to life", to ward away death.
In the painting, Vermeer has depicted, what discreetly appears to be a young pregnant woman holding an empty balance before a table on which stands an open jewelry box, the pearls and gold within spilling over. A blue cloth rests in the left foreground, beneath a mirror, and a window to the left — unseen save its golden curtain — provides ...
The Byzantines perfected a unique form of cloisonné icons. Byzantine enamel spread to surrounding cultures and a particular type, often known as "garnet cloisonné" is widely found in the Migration Period art of the "barbarian" peoples of Europe, who used gemstones, especially red garnets, as well as glass and enamel, with small thick-walled cloisons.
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