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The Atari ST series has a digital-to-analog converter of 3-bits, eight levels per RGB channel, featuring a 9-bit RGB palette (512 colors).Depending on the (proprietary) monitor type attached, it displays one of the 320×200, 16-colors and 640×200, 4-colors modes with the color monitor, or the high resolution 640×400 black and white mode with the monochrome monitor.
The contrast ranges from black at the weakest intensity to white at the strongest. [1] Grayscale images are distinct from one-bit bi-tonal black-and-white images, which, in the context of computer imaging, are images with only two colors: black and white (also called bilevel or binary images). Grayscale images have many shades of gray in between.
Sepia toning is a specialized treatment to give a black-and-white photographic print a warmer tone and to enhance its archival qualities. The metallic silver in the print is converted to a sulfide compound, which is much more resistant to the effects of environmental pollutants such as atmospheric sulfur compounds.
In computing terminology, black-and-white is sometimes used to refer to a binary image consisting solely of pure black pixels and pure white ones; what would normally be called a black-and-white image, that is, an image containing shades of gray, is referred to in this context as grayscale. [2]
In color theory, a shade is a pure color mixed with black. It decreases its lightness while nearly conserving its chromaticity. Strictly speaking, a "shade of black" is always a pure black itself and a "tint of black" would be a neutral gray. In practice, many off-black colors possess a hue and a colorfulness (also called saturation).
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In the CMYK model, it is the opposite: white is the natural color of the paper or other background, and black results from a full combination of colored inks. To save cost on ink, and to produce deeper black tones, unsaturated and dark colors are produced by using black ink instead of or in addition to combinations of cyan, magenta, and yellow.
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