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Classic riding jodhpurs, showing the extra width in the thigh area, which allows for lateral leg movement when in the saddle. Special adaptations for riding include a pattern cut with the leg seams on the outside of the leg; a patch on the inside of the knee, sometimes of a hard-wearing material such as leather; and in some cases a similar leather or leather-like panel on the seat that helps ...
In France in the 17th century, women who rode wore an outfit called a devantiere. [1] The skirt of the devantiere was split up the back to enable astride riding. [2] By the early 19th century, in addition to describing the whole costume, a devantiere could describe any part of the riding habit, be it the skirt, [2] the apron, [3] or the riding ...
The escaramuza means "skirmish" and consists of a team riding horses in choreographed synchronized maneuvers to music. [1] [2] [3] The women ride side-saddle and wear traditional Mexican outfit that include sombreros, dresses, and matching accessories. A team consists of 16 women, but only 8 ride at a time. [4]
The rider sits squarely on the horse with the spine of the rider centered over the spine of the horse. The shoulders and hips are square to the horse, not twisted or turned off-center. The hands must be carried square to the horse, keeping both reins at the same length and tension.
[3] [4] Riders initially began wearing long skirts to protect their legs while traveling. Over time, as the riders took part in performances and displays, their outfits became more elaborate and elegant. English writer Isabella Bird visited Hawaii in 1873 and noted women riding astride, a notable difference from European custom. [5] [6]
Classical riding is the art of riding in harmony with, rather than against, the horse. A painting of the Spanish Riding School in 1783. Correct classical riding only occurs when the rider has a good seat and a correct and well-balanced body position, moves with the horse's motion, and applies and times the aids correctly.
Many riders of mixed race became mounted mercenaries, messengers and plantation workers. Originally known as Chinacos, these horsemen later became the modern "vaqueros" [citation needed]. Wealthy plantation owners would often acquire decorated versions of the distinctive Charro clothing and horse harness to display their status in the community.
The tailcoat shares its historical origins in clothes cut for convenient horse-riding in the Early Modern era. From the 18th century, however, tailcoats evolved into general forms of day and evening formal wear , in parallel to how the lounge suit succeeded the frock coat (19th century) and the justacorps (18th century).
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