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Serenade in C major; Sextet (Dohnányi) Six moments musicaux (Schubert) Solace (Joplin) Sonata for Two Violins (Prokofiev) Sonata in C major for keyboard four-hands, K. 19d; Sonata in C major for piano four-hands, D 812 (Schubert) Sonata in C major for piano four-hands, K. 521; Sri Lanka Matha; Ständchen, D 889 (Schubert) State Anthem of the ...
I–V–vi–IV progression in C Play ⓘ vi–IV–I–V progression in C Play ⓘ The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include:
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
Vesperae solennes de Dominica in C major, K. 321 (1779) Vesperae solennes de confessore in C major, K. 339 (1780) Magnificat. Dixit Dominus and Magnificat in C major, K. 193/186g (1774) Antiphon. Cibavit eos in A Minor, K. 44/73u (1770) Quaerite primum regnum Dei in D Minor, K. 86/73v (1770) Three settings of the Marian antiphon Regina coeli:
C major is a major scale ... American popular songwriter Bob Dylan claimed the key of C major ... 12 Variations in C major on the French song "Ah, vous dirai-je ...
Jazz compositions originally or most commonly played in the key of C major. Pages in category "Jazz compositions in C major" The following 23 pages are in this category, out of 23 total.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...