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Sikh music, also known as Gurbani Sangeet (Gurmukhi: ਗੁਰਬਾਣੀ ਸੰਗੀਤ, romanized: Gurabāṇī sagīta; meaning music of the speech of wisdom), and as Gurmat Sangeet (Gurmukhi: ਗੁਰਮਤਿ ਸੰਗੀਤ, romanized: Guramati sagīta; meaning music of the counsel or tenets of the Guru), or even as Shabad Kirtan (Gurmukhi: ਸ਼ਬਦ ਕੀਰਤਨ, romanized ...
A Shabad Kirtan refers to the musical recitation of the Guru Granth Sahib, the primary scripture in the Sikhism tradition which is arranged according to raga. [57] Shabad Kirtan can be listened to silently or sung along with the gathered congregation. [58] [53]
It is taken from the Chandi Charitar Ukati Bilas composition of the Dasam Granth, and is generally understood as being composed by Guru Gobind Singh. [1] [2] It is written in the form of a quatrain or savaiya.
Sikh music or Shabad kirtan is Kirtan-style singing of hymns or Shabad from the Sri Guru Granth Sahib Ji, the central text of Sikhism. Its development dates back to the late 16th century as the musical expression of mystical poetry, accompanied by a musical instrument rabab . [ 38 ]
Namdhari Sikhs have made significant contributions to Indian classical music, particularly through the preservation and promotion of devotional music known as Shabad Kirtan. This genre, rooted in the teachings of Guru Nanak, emphasizes the recitation of hymns from the Guru Granth Sahib, fostering a deep spiritual connection.
A modern Bhajan has no fixed form: it may be as simple as a mantra or kirtan or as sophisticated as the dhrupad, thumri or kriti with music based on classical ragas and talas. [42] V. D. Paluskar and V. N. Bhatkhande have combined Indian classical music with bhajan. Pandit Kumar Gandharva made famous the Nirguni Bhajans of Sant Kabir and Malwa ...
Gurus considered divine worship through shabad kirtan as the best means of attaining that state of bliss – vismad – which resulted in communion with God. The Guru Granth Sahib is divided by musical settings or rāgas [46] into 1430 pages known as angs "limbs" in Sikh tradition. It can be categorized into three sections:
The book also contains 140 shabads, 40 pade, painti akhri, bani haftawar, bani pandran tithi, baran maas updesh, dohra, saand bani, anmol vachan (milni de samen), laawaan, suhag ustat, manglachar, and 231 salok. [clarification needed] There are 177 pages in the book. Ragas from Amritbani Guru Ravidass Ji are recited daily in Ravidassia bhawans.
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