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There was a dispute as to whether this work was a Bosch autograph or a piece by the workshop until the Bosch Research and Conservation Project concluded it to be autograph based on evidence present in the underdrawing. [6] The Temptation of St. Anthony c. 1530–1540 Oil on wood 70 × 51 cm Museo del Prado, Madrid, Spain Bosch's authorship is ...
It is generally accepted that Bosch's art was created to teach specific moral and spiritual truths in the manner of other Northern Renaissance figures, such as the poet Robert Henryson, and that the images rendered have precise and premeditated significance. According to Dirk Bax, Bosch's paintings often represent visual translations of verbal ...
'The garden of lusts') is the modern title [a] given to a triptych oil painting on oak panels painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. [1]
Koldeweij, Jos, Paul Vandenbroeck, Bernard Vermet (2001) Hieronymus Bosch. The Complete Paintings and ... This is a featured picture on the Spanish language ...
St. Jerome was a frequent subject of 15th-century European art, depicted in his studio or during his penitence in the desert. Bosch for this picture adopted the latter iconography, although his saint is prone instead of kneeling.
Ship of Fools (painted c. 1490–1500) is a painting by the Early Netherlandish artist Hieronymus Bosch, now in the Musée du Louvre, Paris. Camille Benoit donated it in 1918. The Louvre restored it in 2015. The surviving painting is a fragment of a triptych that was cut into several parts.
Christ Crowned with Thorns, sometimes known as Christ Mocked, is an oil on panel painting by Hieronymus Bosch. It is held in the National Gallery in London, which dates it to around 1510, though some art historians prefer earlier dates. [1]
The Conjurer is a painting by Early Netherlandish painter Hieronymus Bosch or his workshop, [1] executed around 1502. [2]There are five versions of this painting and one engraving, but most experts believe the most reliable copy is part of the collection of the Musée Municipal in Saint-Germain-en-Laye, which is kept locked in a safe [3] [4] and loaned out on a limited basis for special ...
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