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"Erika" is a German marching song. It is primarily associated with the German Army, especially that of Nazi Germany, although its text has no political content. [1] It was created by Herms Niel and published in 1938, and soon came into usage by the Wehrmacht. It was frequently played during Nazi Party public events.
The music for this song came from the Lied der Legion Condor ("Song of the Condor Legion"), whose lyrics and music were written by Wolfram Philipps and Christian Jährig, two Condor Legion pilots with the rank of Oberleutnant. The somber music has a minor character, and the song was "exposed to the accusation of being un-German, Russian or ...
"Ein Heller und ein Batzen", also known by its chorus of "Heidi, heido, heida", [1] (with all three words being modifications of the name Adelheid [2]) is a German folk song. Written by Albert von Schlippenbach in 1830 as a drinking song, it later became a popular marching song in the Wehrmacht during the Second World War. [3] [4]
Dear Mom (Glenn Miller song) Der Fuehrer's Face (song) Do Your Ears Hang Low? Don't Let's Be Beastly to the Germans; Don't Sit Under the Apple Tree (with Anyone Else but Me) Dziś do ciebie przyjść nie mogę
The "Panzerlied" ('Tank Song') is a Wehrmacht march of the Nazi era, sung primarily by the Panzerwaffe—the tank force of Nazi Germany during World War II. It is one of the best-known songs of the Wehrmacht and was popularised by the 1965 film Battle of the Bulge. [1] It was composed by Oberleutnant Kurt Wiehle in 1933.
Pages in category "German patriotic songs" The following 71 pages are in this category, out of 71 total. This list may not reflect recent changes. A.
The song was known either by its opening line as Vorbei, vorbei, sind all die schönen Stunden or as the "Königsberg-Lied", after the German cruiser Königsberg, which is mentioned in one version of the song's lyrics. The opening stanza of the song is:
Therefore, the best that can be understood about German Music during the war is the official Nazi government policy, the level of enforcement, and some notion of the diversity of other music listened to, but as the losers in the war German Music and Nazi songs from World War II has not been assigned the high heroic status of American and ...