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Harlequin-costume, dated 1656–1693. The harlequin is a character from Commedia dell'arte, a 16th-century Italian theater movement. Harlequins were witty, mischievous clowns. Their early costumes were sewn together from fabric scraps. Over time, the diamond pattern became associated with harlequins. [1]
Its simplicity is a testament to the austerity of the Spanish court; however, her high hair is quite fashionable, as well as the mass of curls on both sides of her face c. 1635. Sara Wolphaerts van Diemen wears a double cartwheel ruff that remained popular in the Netherlands through the period. She wears a black gown with a brocaded stomacher ...
1830s in Western fashion. In the 1830s, men wore dark coats, light trousers, and dark cravats for daywear. Women's sleeves reached their ultimate width in the gigot sleeve. Here, the boys (on holiday in the mountains) wear buff-colored belted knee-length tunics with yokes and full sleeves over trousers. The girls wear white dresses with colored ...
The Simplicity Pattern Company is a manufacturer of sewing pattern guides, under the "Simplicity Pattern", "It's So Easy" and "New Look" brands. The company was founded in 1927 in New York City. During the Great Depression, Simplicity allowed home seamstresses to create fashionable clothing in a reliable manner.
Fashionable Italian silks of this period featured repeating patterns of roundels and animals, deriving from Ottoman silk-weaving centres in Bursa, and ultimately from Yuan Dynasty China via the Silk Road. [60] Cultural and costume historians agree that the mid-14th century marks the emergence of recognizable "fashion" in Europe.
1795–1820 in Western fashion. In the early 1800s, women wore thin gauzy outer dresses while men adopted trousers and overcoats. Rutger Jan Schimmelpenninck and his family, 1801–02, by Pierre-Paul Prud'hon. Madame Raymond de Verninac by Jacques-Louis David, with clothes and chair in Directoire style. "Year 7", that is 1798–99.
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