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Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
Until around 1820 copper plates were the common medium used for engraving. Copper, being a soft metal, was easy to carve or engrave and the plates could be used to strike a few hundred copies before the image began to severely deteriorate from wear. Engravers then reworked a worn plate by retracing the previous engraving to sharpen the image again.
One of the first applications of electrotyping was in printing. Initially, electrotyping was used to make copper reproductions of engraved metal plates or wooden carvings, which were used to print artwork. The electrotypes could be incorporated along with movable type to compose the formes for printing. Jacobi published his first account of ...
Etching by goldsmiths and other metal-workers in order to decorate metal items such as guns, armour, cups and plates has been known in Europe since the Middle Ages at least, and may go back to antiquity. The elaborate decoration of armour, in Germany at least, was an art probably imported from Italy around the end of the 15th century—little ...
In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called engraving; or through the corrosive action of acid – in which case the process is known as etching.
Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction. Many metals can be used for chasing and repoussé work, including gold, silver, copper, and alloys such as steel, bronze, and pewter.
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