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Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
Gertrud Louise Goldschmidt (1 August 1912 – 17 September 1994), known as Gego, was a modern German-Venezuelan visual artist. [1] Gego is perhaps best known for her geometric and kinetic sculptures made in the 1960s and 1970s, which she described as "drawings without paper".
Roland David Smith (March 9, 1906 – May 23, 1965) was an influential and innovative American abstract expressionist sculptor and painter, widely known for creating large steel abstract geometric sculptures. Born in Decatur, Indiana, Smith initially pursued painting, receiving training at the Art Students League in New York from 1926 to 1930 ...
Image credits: JamesLucasIT Sculpture as an art form dates back to 32,000 years B.C. Back then, of course, small animal and human figures carved in bone, ivory, or stone counted as sculptures.
Fine art: Photographs and paintings of mathematical models in Dada and Surrealist art [37] Naderi Yeganeh, Hamid: 1990– Fine art: Exploration of tessellations (resembling rep-tiles) [38] [39] Pacioli, Luca: 1447–1517: Fine art: Polyhedra (e.g. rhombicuboctahedron) in Renaissance art; [19] [40] proportion, in his book De divina proportione ...
Suprematism (Russian: супремати́зм) is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors.
Sculptures and statues can provide a fascinating insight into the time they were made. And sometimes, they contain little “secrets”—details that reveal the mind of the creator, or just make ...
Just as Cubist painting, Cubist sculpture is rooted in Paul Cézanne's reduction of painted objects into component planes and geometric solids; cubes, spheres, cylinders, and cones. Presenting fragments and facets of objects that could be visually interpreted in different ways had the effect of 'revealing the structure' of the object.
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