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Platero is the eponymous donkey of the 1914 story Platero and I (English for Platero y yo). The book is one of the most popular works by Spanish poet Juan Ramón Jiménez, the recipient of the 1956 Nobel Prize in Literature. In 1960, the Italian composer Mario Castelnuovo-Tedesco composed a suite of music for guitar with narrator based on the book.
Cavalletto at the Inquisitor's Palace, in Birgu. A wooden horse, Chevalet (as it was called in Spain), Spanish donkey or cavalletto squarciapalle is a torture device, of which there exist two variations; both inflict pain by using the subject's own weight by keeping the legs open, tied with ropes from above, while lowering down the subject. [1]
Donkeys in the province of Zamora date back to at least the fifteenth century. The Zamorano donkey was exported to the New World, and was the first Spanish donkey to contribute to the evolution of the North American donkey. From the eighteenth century it appears also to have influenced the development of the French Baudet du Poitou breed. [5]
Platero and I, also translated as Platero and Me (Spanish: Platero y yo), is a 1914 Spanish prose poem written by Juan Ramón Jiménez. [1] The book is one of the most popular works by Jiménez, and unfolds around a writer and his eponymous donkey, Platero ("silvery"). Platero is described as a "small donkey, a soft, hairy donkey: so soft to ...
The Biblioburro (The donkey library) is a traveling library that distributes books to patrons from the backs of two donkeys, Alfa and Beto. The program was created in La Gloria, Colombia, by Luis Soriano. [1] The biblioburro operates within the central municipalities of the Department of Magdalena, on Colombia's Caribbean shore.
The Fariñeiro is smaller than other mainland Spanish donkey breeds; it stands about 1.00-1.20 metres at the withers and weighs 120–180 kg. The coat is fine, dense and smooth, of medium length; it is grey or pale brown in colour, and paler on the underparts. The darker dorsal stripe and shoulder-stripe may be more or less distinct. [3]
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For Cervantes and the readers of his day, Don Quixote was a one-volume book published in 1605, divided internally into four parts, not the first part of a two-part set. The mention in the 1605 book of further adventures yet to be told was totally conventional, did not indicate any authorial plans for a continuation, and was not taken seriously by the book's first readers.