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The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving ...
Columbine (Italian: Colombina; French: Colombine; [2] lit. ' little dove ' ) is a stock character in the commedia dell'arte . [ 3 ] She is Harlequin 's mistress, [ 3 ] a comic servant playing the tricky slave type, and wife of Pierrot .
This provided the basis for his new lyrics, including those in the chorus which compare the lovers to the perpetually unhappy Commedia dell'arte characters: "But the joys of love are fleeting / For Pierrot and Columbine." [12] The song depicts "the joys of love" experienced by the pair—when they have to part, the carnival is over. [13]
Pierrot (/ ˈ p ɪər oʊ / PEER-oh, US also / ˈ p iː ə r oʊ, ˌ p iː ə ˈ r oʊ / PEE-ə-roh, PEE-ə-ROH; French: ⓘ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne.
Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin.
The procession featured a float carrying a bœuf gras adorned with flowers and accompanied by beautiful women, as well as an allegorical float depicting Pierrot and Columbine riding a crescent moon, escorted by numerous carriages. [84]
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In the principal roles were Mathilde Kschessinskaya as Columbine, Georgy Kyaksht as Harlequin, Olga Preobrajenskaya as Pierrette, Sergei Lukianov as Pierrot, Enrico Cecchetti as Cassandre, Nikolai Aistov as Leandre, and Anna Urakova as the Good Fairy. This performance was a private occasion given for the Imperial Russian court.