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"Morning Girl" is a 1969 song by The Neon Philharmonic. It was a hit in Canada and the United States. It was a hit in Canada and the United States. The recording featured a chamber-sized orchestra of Nashville Symphony Orchestra musicians, and the project was headed by composer Tupper Saussy and vocalist Don Gant.
The Neon Philharmonic (formed 1967) was an American psychedelic pop [citation needed] band led by songwriter and conductor Tupper Saussy and singer Don Gant [1], produced by Saussy, Gant, and Bob McCluskey, and engineered by Gant's brother Ronald.
The albums were The Moth Confesses (1969), containing the duo's biggest hit "Morning Girl" (peaked at #17 on 7–14 June 1969), and the eponymous The Neon Philharmonic (1969). In Nashville, Tennessee he worked at Acuff-Rose Music as a songwriter and as an executive. [2] He wrote a number of songs himself and co-wrote with Joe Melson.
Free is the second studio album by English rock band Free, recorded and released in 1969. It saw the burgeoning of the songwriting partnership between Paul Rodgers and 16-year-old bassist Andy Fraser; eight of the nine songs are credited to the two. The album performed poorly, failing to chart in the UK and in the US. [2]
The Moth Confesses is the 1969 debut album by The Neon Philharmonic.Described as "A Phonograph Opera," it was inspired, according to the liner notes, by a production of Samuel Barber's Antony and Cleopatra, which Saussy attended after The New York Times claimed that it was a terrible opera, and wanted to see what a terrible opera looked like, which he surmised was its deliberate attempt to ...
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Here are her fave songs for girls. Courtesy. We all know women's progress took a hit in 2020, but there's one thing we can do: We can encourage our daughters to be bold change-makers in 2021 ...
Tons of Sobs is the debut studio album by the English rock band Free, released in the UK on 14 March 1969. [2] While the album failed to chart in the UK, it reached number 197 in the US. [ 4 ] Free are cited as one of the definitive bands of the British blues boom of the late 1960s, even though this is the only album of their canon that can ...