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Antigone at the Barbican was a 2015 filmed-for-TV version of a production at the Barbican directed by Ivo van Hove; the translation was by Anne Carson and the film starred Juliette Binoche as Antigone and Patrick O'Kane as Kreon. Other TV adaptations of Antigone have starred Irene Worth (1949) and Dorothy Tutin (1959), both broadcast by the BBC.
Examples include the final section (lines 908–1077) of Aeschylus' The Persians (472 BCE) in which Xerxes laments the defeat of his Persian army, the final appearance of Antigone in Sophocles' Antigone (c.442 BCE), the interaction between the chorus and Oedipus when he returns having blinded himself in Sophocles' Oedipus Rex (c.429 BCE), and ...
The Gospel at Colonus is an African-American musical version of Sophocles's tragedy, Oedipus at Colonus. The show was created in 1983 by the experimental-theatre director Lee Breuer, one of the founders of the seminal American avant-garde theatre company Mabou Mines, and composer Bob Telson.
Antigone (Greek: Aντιγόνη, Antigone) is a 1961 Greek film adaptation of the Ancient Greek tragedy Antigone by Sophocles. It stars Irene Papas in the title role and was directed by Yorgos Javellas , who also adapted the play for the film.
Antigone, Op. 55, MWV M 12, is a suite of incidental music written in 1841 by Felix Mendelssohn to accompany the tragedy Antigone by Sophocles, staged by Ludwig Tieck. The text is based on Johann Jakob Christian Donner 's German translation of the text, with additional assistance from August Böckh .
The original screenplay for The Silence of The Lambs made no mention of the moment, which manifests in the form of a sound Hannibal Lecter (Anthony Hopkins) makes after first meeting Clarice ...
Getty Villa – Storage Jar with a chorus of Stilt walkers – inv. VEX.2010.3.65. A Greek chorus (Ancient Greek: χορός, romanized: chorós) in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage ...
In the years following the release of the film, comedic musician Tom Lehrer referred to it in his live shows, theorizing that it had fared poorly at the box office because it lacked a catchy theme song that could draw in audiences.