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Heidegger, in his essay, The Ode on Man in Sophocles' Antigone, focuses on the chorus' sequence of strophe and antistrophe that begins on line 278. His interpretation is in three phases: first to consider the essential meaning of the verse, and then to move through the sequence with that understanding, and finally to discern what was nature of ...
Lycurgus, driven mad by Dionysus, attacks his wife. Name-piece of the Lycurgus Painter, 350–340 BC. British Museum.. In Greek mythology, Lycurgus (/laɪˈkɜːrɡəs/; Ancient Greek: Λυκοῦργος Lykoûrgos, Ancient Greek: [lykôrɡos]; also Lykurgos, Lykourgos) was the king of the Edoni in Thrace, son of Dryas, the "oak", and father of a son whose name was also Dryas.
Pages in category "Modern adaptations of Antigone (Sophocles play)" The following 8 pages are in this category, out of 8 total.
Antigone, Op. 55, MWV M 12, is a suite of incidental music written in 1841 by Felix Mendelssohn to accompany the tragedy Antigone by Sophocles, staged by Ludwig Tieck. The text is based on Johann Jakob Christian Donner 's German translation of the text, with additional assistance from August Böckh .
A version of Antigone by Sophocles; illustrated by Bianca Stone; 2015 edition includes an introduction by Carson ("The Task of the Translator of Antigone") [15] Red Doc> 2013 A follow-up to Autobiography of Red [16] Nay Rather "Variations on the Right to Remain Silent" (with seven translations of Ibycus Fragment 286), and
The choral ode from the Antigone of Sophocles is according to Heidegger the singular work radiating throughout the poetry of Hölderlin. [16] Heidegger had previously interpreted this ode in his 1935 lecture course, An Introduction to Metaphysics , and in 1942 he both recapitulates and extends this interpretation.
It is Oedipus and Antigone. Oedipus senses the presence of the Furies and is sent temporarily insane. Antigone pleads with the gods to have mercy on her father. A crowd appears and when they learn the identity of Oedipus they want to drive him away, but Theseus stops them and offers the old man his hospitality.
In Sophocles' Antigone (c. 441 BC), an ode to Dionysus begins by addressing Dionysus as the "God of many names" (πολυώνυμε), who rules over the glens of Demeter's Eleusis, and ends by identifying him with "Iacchus the Giver", who leads "the chorus of the stars whose breath is fire" and whose "attendant Thyiads" dance in "night-long ...