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"Harlem Nocturne" is a jazz standard written by Earle Hagen (music) and Dick Rogers (lyrics) in 1939 for the Ray Noble orchestra, of which they were members. [1] The song was chosen by the big-band leader Randy Brooks the next year as his theme song.
Eugene Earl Bostic (April 25, 1913 – October 28, 1965) [1] was an American alto saxophonist. Bostic's recording career was diverse, his musical output encompassing jazz, swing, jump blues and the post-war American rhythm and blues style, which he pioneered.
Richard Warren Joseph Hayman (March 27, 1920 – February 5, 2014) was an American musician who was the chief music arranger of the Boston Pops Orchestra for over 50 years, and served as a pops conductor for orchestras including the Detroit Symphony Orchestra, the St. Louis Symphony and the Grand Rapids Symphony in Grand Rapids, Michigan.
The Viscounts were an American pop group from New Jersey, formed in 1958.They had one hit single, with Earle Hagen's instrumental classic "Harlem Nocturne" in 1959, which peaked at #52 in the U.S. Billboard Hot 100 chart in early 1960; it was re-released in 1965 and hit #39 the second time around. [1]
Earle Harry Hagen (July 9, 1919 – May 26, 2008) was an American composer who created music for films and television. His best-known TV themes include The Dick Van Dyke Show, I Spy, That Girl and The Mod Squad.
Richard Rogers (1912–1970) was a singer, comedian, songwriter and pianist, who wrote the lyrics for "Harlem Nocturne". [1] [2] [3] He was a member of the Ray Noble orchestra and the Will Osborne band. [4] Rogers was associated with Will Osborne, a "star crooner" who was on the radio in the 1930s. [2] Osborne's band was on the decline in 1940. [2]
Born in London, England, [1] Hughes was the son of Irish composer, writer and song collector Herbert Hughes and great grandson of the sculptor Samuel Peploe Wood. [4] His childhood, spent mostly with his mother Lilian Meacham (1886–1973), a Harley Street psychiatrist, involved extensive travelling in France and Italy, as well as a more settled period of education at Perse School in Cambridge ...
His performance brought him a recording contract with Mercury Records, and he moved to New York, where he studied for a time at the Juilliard School of Music. Austin played with Roy Eldridge briefly in 1949, and with Cootie Williams in 1951-52 [ 2 ] and Tiny Bradshaw in 1952-54, before setting up his own successful touring group.
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