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Antiphonal music is that performed by two choirs in interaction, often singing alternate musical phrases. [1] Antiphonal psalmody is the singing or musical playing of psalms by alternating groups of performers. [2] The term "antiphony" can also refer to a choir-book containing antiphons.
A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. [ 5 ] [ 6 ] Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony , in which one voice, often the highest, plays a distinct melody, and the accompanying voices work together to articulate an ...
In half-chanting (which is more true to antiphonal singing in the Gregorian style), decani sing the first two quarters of the chant, and cantoris the next two quarters (so that each half-choir sings a whole verse at a time). With antiphonal singing, the first two verses, the Gloria and perhaps the last two verses are often sung by the whole choir.
Printed antiphonary (ca. 1700) open to Vespers of Easter Sunday. (Musée de l'Assistance Publique – Hôpitaux de Paris)An antiphonary or antiphonal is one of the liturgical books intended for use in choro (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites.
The antiphon O clavis David in an antiphonal. The O Antiphons (also known as the Great Advent Antiphons or Great Os) are antiphons used at Vespers during the Magnificat on the last seven days of Advent in Western Christian traditions. [1] They likely date to sixth-century Italy, when Boethius refers to the text in The Consolation of Philosophy. [2]
Enslaved Africans brought call and response music with them to the colonized American continents and it has been transmitted over the centuries in various forms of cultural expression—in religious observance, public gatherings, sporting events, children's rhymes, and most notably, in African-American music in its myriad forms and descendants.
Ordinary chants, such as the Kyrie and Gloria, are not considered antiphonal chants, although they are often performed in antiphonal style. Responsorial chants such as the Gradual , Alleluia , Offertory , and the Office Responsories originally consisted of a refrain called a respond sung by a choir, alternating with psalm verses sung by a soloist.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
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