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This file has an extracted image: My Blue Heaven (1927) sheet music cover.jpg. Licensing This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
My life flows on in endless song; Above earth's lamentation, I catch the sweet†, tho' far-off hymn That hails a new creation; Thro' all the tumult and the strife
A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony. The melody is written in modern Western music notation , the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff.
Kingdom of Heaven is the soundtrack to 2005 Ridley Scott motion picture of the same name. The soundtrack was composed, co-orchestrated and conducted by Harry Gregson-Williams , and performed in large part by Gavyn Wright and the London Session Orchestra , and released by Sony Classical on April 26, 2005.
A Charm of Lullabies, Op.41 is a song cycle for mezzo-soprano with piano accompaniment by Benjamin Britten.It consists of five songs composed on poems by William Blake, Robert Burns, Robert Greene, Thomas Randolph and John Phillip.
An Echo of Hooves is a 2003 album by folk singer June Tabor.. There were many albums consisting entirely of Child ballads in the 60s and 70s. By the 90s, such albums became rare.
Drum tablature, commonly known as a drum tab, is a form of simplified percussion notation, or tablature for percussion instruments.Instead of the durational notes normally seen on a piece of sheet music, drum tab uses proportional horizontal placement to indicate rhythm and vertical placement on a series of lines to represent which drum from the drum kit to stroke.
"Swing Low, Sweet Chariot" is an African-American spiritual song and one of the best-known Christian hymns. Originating in early African-American musical traditions, the song was probably composed in the late 1860s by Wallace Willis and his daughter Minerva Willis, both Choctaw freedmen.