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Heiner Müller (German: [haɪnɐ mʏlɐ]; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre .
Functionaries like Müller were the sort of men Heydrich preferred since they were inherently committed to their "area of responsibility" and correspondingly justified any steps they deemed necessary against perceived enemies of the Nazi "racial community." [13] Müller was promoted to the rank of Standartenführer (colonel) in 1937. [14]
The production of Hamletmachine was described as "a stage teeming with images" and "an electrifying message from East Germany" by Nicholas De Jongh in The Guardian. In 1992, the play was presented by the University of California, Irvine, directed by Keith Fowler , as a bloody fantasy set in a "Frankenstein laboratory," in which industrial meat ...
Heiner Müller, "Theme of A.S." (1958), anticipating many of the ideas and images developed in The Mission. [ 2 ] The Mission: Memory of a Revolution ( Der Auftrag: Erinnerungen an eine Revolution ), also known as The Task , is a postmodern drama by the (formerly East ) German playwright Heiner Müller .
With Heiner Müller, she created the dramas Der Lohndrücker (1956), Die Umsiedlerin (1956), Die Korrektur (1957), Klettwitzer Bericht (1958) and Unterwegs (1963). She had remained above all a poet. Although nearly 300 lyrical works were created in her lifetime, only a few were published, mostly in the anthology In diesem besseren Land .
Quartet, sometimes written as Quartett, is a 1980 play written by the (formerly East) German playwright Heiner Müller.. Its subject matter rendered it unlikely for production under the GDR's repressive cultural policies, but Müller's status as the nation's most eminent playwright after the death of Bertolt Brecht allowed him great leeway for travel, and so when the progressive director of ...
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In the final scenes, Julius and Stefan meet at work. Stefan realizes he has been deceived. The two men have a confrontation with Stefan symbolically stripping down to his underwear and Julius doing the same. They then laugh at each other. The film ends with Paula arriving at the agency, not realizing what she is about to witness.