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Part of the Parthenon's eastern frieze. The ancient Greek temples were often enhanced with mythological decorations from the columns to the roof. The architectural functions of the temple mainly concentrated on the cella with the cult statue. The architectural elaboration served to stress the dignity of the cella.These statues of the god or ...
Fragment of the accounts relating to the realization of the statue of Athena Parthenos, IG I 3 458, Museum of the Acropolis of Athens.. According to Pausanias and Plutarch [N 5], the statue is not by Phidias alone but of a team of craftsmen representing several trades, Phidias supervising all the decoration work of the Parthenon.
F Robert [7] proposed that it was a place devoted to the celebration of Heroes in the Asklepeion during ta Heroa, [8] which witnessed sacrifices to the chthonic gods and heroes, as testified epigraphically. The Ionian stoa, west of the temple, is also dated to the last quarter of the 5th century. [9]
A smattering of ancient 6 th century B.C. Greek graffiti reveals that a different temple likely existed where the Parthenon now sits.. Clues from drawings made by a shepherd show there was likely ...
The cella was 29.8 metres long by 19.2 metres wide (97.8 × 63.0 ft). On the exterior, the Doric columns measure 1.9 metres (6.2 ft) in diameter and are 10.4 metres (34 ft) high. The corner columns are slightly larger in diameter. The Parthenon had 46 outer columns and 23 inner columns in total, each column having 20 flutes.
In Classical architecture, a cella (from Latin 'small chamber') or naos (from Ancient Greek ναός (nāós) 'temple') is the inner chamber of an ancient Greek or Roman temple. Its enclosure within walls has given rise to extended meanings, of a hermit's or monk's cell , and since the 17th century, of a biological cell in plants or animals.
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Robert Spenser Stanier proposed in 1953 an estimate of 17 talents for pediments and acroterions. [1] [7] Annotated sectional view of the Parthenon with parts in the British Museum shaded. The statues are the largest pediment statues made in classical Greece and they are almost all in one piece. [1] In addition, they were sculpted in the round.