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Funktion-One Russia supplied and installed a permanent state of the art sound system for Volgograd Arena — one of the Russian World Cup 2018 stadia. Working closely with the Funktion-One design team in the UK, the company specified a system that features 638 Funktion-One loudspeakers and 50 MC2 Audio amplifiers.
3 1933: Tagephone: 1 1983: THX Ltd. 1732 2005: TMH Labs 10.2 Channel Sound: 1 1928: Tobis (Tonbild Syndicat) 80 1922: ... Sound mix list on the Internet Movie Database;
The History of Movie Photography (Westfield, NJ: Eastview Editions, 1981) ISBN 0-89860-067-7; Enticknap, Leo. Moving Image Technology: From Zoetrope to Digital (London: Wallflower Press 2005) ISBN 1-904764-06-1; Eyman, Scott. The Speed of Sound: Hollywood and the Talkie Revolution 1926–1930 (New York: Simon & Schuster, 1997) ISBN 978-0-684 ...
The main change required was to increase the playing time of the disc so that it could match that of a standard 1,000 ft (300 m) reel of 35 mm film. The chosen design used a disc nearly 16 inches (about 40 cm) in diameter rotating at 33 1/3 rpm. This could play for 11 minutes, the running time of 1000 ft of film at 90 ft/min (24 frames/s). [46]
Sensurround logo (designed for the release of the film Earthquake).. Sensurround is the brand name for a process developed by Cerwin-Vega in conjunction with Universal Studios to enhance the audio experience during film screenings, specifically for the 1974 film Earthquake.
RCA Victor provided three six foot (1.8 m) by six foot speakers to go with the 40 foot (12 m) by 50 foot (15 m) screen. Following complaints from passengers in the rear of the theater lot, Hollingshead worked with RCA to design small speakers that could be mounted on cars and receive sound through a radio signal. [ 14 ]
The attraction culminated in a simulated 8.3 earthquake aboard an underground train at Embarcadero Station in San Francisco. [38] [dead link ] In the fall of 2002, the pre-show was changed to a more generic "magic of making movies" theme, with slight modifications which included mentioning special effects used in other films besides Earthquake.
[3] [4] [5] The SMPTE standard for 35 mm sound film is +21 frames for optical, but a 46-foot theatre reduces this to +20 frames. [6] [7] This adjustment was made partly to ensure the film runs smoothly past the sound head. It was also made to prevent Phonofilms from being played in theaters, as the Phonofilm system was incompatible with Case ...