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There is a replica of a blacksmith shop, built on site with weather-beaten, aged cypress boards. The blacksmith was a very important person in a community; he was the one who made tools, horseshoes, nails, hinges, etc., out of iron. The anvil, forge and bellows are much like those used long ago.
An American Civil War-era traveling forge contained 1,200 pounds (540 kg) of tools, coal and supplies. These tools and supplies included a bellows attached to a fireplace, a 4-inch-wide (100 mm) vise, 100-pound (45 kg) anvil, a box containing 250 pounds (110 kg) of coal, 200 pounds (91 kg) of horse shoes, 4-foot-long (1.2 m) bundled bars of iron, and on the limber was a box containing the ...
A blacksmith's striker is an assistant (frequently an apprentice) whose job is to swing a large sledgehammer in heavy forging operations, as directed by the blacksmith. In practice, the blacksmith holds the hot iron at the anvil (with tongs) in one hand, and indicates where to strike the iron by tapping it with a small hammer in the other hand.
Single-horn anvil A blacksmith working iron with a hammer and anvil A blacksmith working with a sledgehammer, assistant (striker) and Lokomo anvil in Finland. An anvil is a metalworking tool consisting of a large block of metal (usually forged or cast steel), with a flattened top surface, upon which another object is struck (or "worked").
The structure of an anvil. The anvil serves as a workbench to the blacksmith, where the metal to be forged is worked. Anvils may seem clunky and heavy, but they are a highly refined tool carefully shaped to suit a blacksmith's needs. Anvils are made of cast or wrought iron with a tool steel face welded on or of a single piece of cast or forged ...
One of Simmons' most photographed works is the Egret Gate at 2 St. Michael's Alley in Charleston, South Carolina. Philip Simmons (June 9, 1912 – June 22, 2009) was an American artisan and blacksmith specializing in the craft of ironwork.
Artist Blacksmiths sometimes require a tool that will allow metal to be formed in ways that an anvil or traditional industrial swage block will not allow, a special Artists' block is then often used. As with industrial swage blocks, artistic blocks come in many shapes and sizes; common features are hemispherical and ovoid depressions ...
In 1909, Yellin opened his own metalsmith shop. [2] In 1915, the firm of Mellor, Meigs & Howe, for whom he designed and created many commissions, designed a new studio for Samuel Yellin Metalworkers at 5520 Arch Street in Philadelphia. Yellin died in 1940, but the firm remained there for decades under the direction of Yellin's son, Harvey.
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