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Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...
His white satin doublet is laced with a red-and-white cord at the neck. A red cloak with gold trim is slung fashionably over one shoulder, and he wears a tall black hat with a feather, 1586. Unknown man of 1588 wears a lace or cutwork-edged collar rather than a ruff, with matching sleeve cuffs. He wears a tall grey hat with a feather which is ...
The day dress has a wide, low neckline and long sleeves. Julie von Woyna wears a blue silk dress, with sheer sleeves and sheer lace trimmings . Her plaited hair is setup in an elaborate hairstyle. Marquise Irene of Pallavicini of 1834 with echoes of the Renaissance: a wide-necked black gown features a tight belt at the raised waistline. Hair is ...
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
1859 fashion plate of both men's and women's daywear, with seabathing in background. He wears the new leisure fashion, the sack coat.. 1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform.
Alençon lace; Alice in Wonderland dress; All over print; ... NBA dress code; Neck corset; Neck gaiter; ... US standard clothing size; Usekh collar; Ushanka;
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His shirt has a tiny frill edged in black at the neck and wide ruffles at the wrist. Jean Clouet, c. 1520–25. Lucas Cranach the Elder's Young Man wears the later style of barett, wide and flat with a slashed brim. His high neckline is accented by parallel rows of slashes, and he wears a brown overgown, 1521.
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