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Paula Scher (born October 6, 1948) is an American graphic designer, painter and art educator in design. She also served as the first female principal at Pentagram , which she joined in 1991. [ 1 ]
Self-Portrait at 6th Wedding Anniversary (German: Selbstbildnis am 6. Hochzeitstag), also known as Self-Portrait on the sixth wedding anniversary and Self-Portrait on the sixth anniversary of marriage, is a painting by the German painter Paula Modersohn-Becker, one of the most important early expressionists, from the time of her stay in Paris in 1906.
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
In the portraits drawn by her husband, she is as he wanted the world to see her; in her self-portrait three years before their separation, she resumes her Italian turban, but not the lipstick or the cameo, which, a fervent Catholic in an Anglican country, she replaces with a cross.
Self-Portrait as a Tahitian is a self-portraiture, an oil painting on canvas created in 1934 in Paris by Hungarian-born Indian artist Amrita Sher-Gil. It is held in the Kiran Nadar Museum of Art, India. Under India's Antiquities and Art Treasures Act (1972) the work is a national art treasure and must stay in India.
From the mid-1980s through the early 21st century, a number of artists, including Paula Scher, P. R. Brown, and Adam Pendleton, contributed to the cover designs for the label's releases. The Blue Note album covers, particularly those designed by Miles, have been highly regarded and considered definitive of jazz's visual identity.
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