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Spanish verbs are a complex area of Spanish grammar, with many combinations of tenses, aspects and moods (up to fifty conjugated forms per verb). Although conjugation rules are relatively straightforward, a large number of verbs are irregular. Among these, some fall into more-or-less defined deviant patterns, whereas others are uniquely irregular.
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The same rules that apply to feminine el apply to una and un: un ala = "a wing" una árabe = "a female Arab" una alta montaña = "a high mountain" As in English, the plural indefinite article is not always required: Hay [unas] cosas en la mesa = "There are [some] things on the table"
NEG se CL puede can. 1SG pisar walk el the césped grass No se puede pisar el césped NEG CL can.1SG walk the grass "You cannot walk on the grass." Zagona also notes that, generally, oblique phrases do not allow for a double clitic, yet some verbs of motion are formed with double clitics: María María se CL fue went.away- 3SG María se fue María CL went.away-3SG "Maria went away ...
For other irregular verbs and their common patterns, see the article on Spanish irregular verbs. The tables include only the "simple" tenses (that is, those formed with a single word), and not the "compound" tenses (those formed with an auxiliary verb plus a non-finite form of the main verb), such as the progressive, perfect, and passive voice.
Some loanwords enter Spanish in their plural forms but are reanalyzed as singular nouns (e.g., the Italian plurals el confeti 'confetti', el espagueti 'spaghetti', and el ravioli 'ravioli'). These words then follow the typical morphological rules of Spanish, essentially double marking the plural (e.g., los confetis, los espaguetis, and los ...
Victor Hugo's novel The Man Who Laughs is the story of a young aristocrat kidnapped and disfigured by his captors to display a permanent malicious grin. At the opening of the book, Hugo provides a description of the Comprachicos: