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Both Neo and another character, Cypher (Joe Pantoliano), take the red pill over the blue pill, though later in the first Matrix film, the latter demonstrates regret for having made that choice, saying that if Morpheus fully informed him of the situation, Cypher would have told him to "shove the red pill right up [his] ass." When Cypher ...
Morpheus offers Neo a choice of ingesting a red pill, which will activate a trace program to locate Neo's body in the real world and allow the Nebuchadnezzar crew to extract him, or a blue pill, which will leave Neo in the Matrix to live and believe as he wishes. Neo takes the red pill.
Morpheus offers Neo a choice: a red pill to uncover the truth about the Matrix or a blue pill to forget everything and return to his normal life. Opting for the red pill, Neo's reality distorts, and he awakens submerged in a mechanical pod with invasive cables running throughout his body.
The first film was an important critical and commercial success, winning four Academy Awards, introducing popular culture symbols such as the red pill and blue pill, and influencing action filmmaking. For those reasons, it has been added to the National Film Registry for preservation. [4]
However, a woman with blue hair and a trench coat appears besides him. The woman introduces herself as Bugs, who tries to reopen his mind through a White Rabbit tattoo. Bugs then shows Neo her crew in an abandoned theater. Morpheus, part of Bugs' group once again, offers a blue pill and a red pill to Neo, who takes the red pill.
Thomas's psychoanalyst prescribes him blue pills that he takes each day to suppress the occurrences, but he stops taking them. Meanwhile, as Bugs and Morpheus work to extract Neo from the Matrix, Anderson's business partner regains his memories as Agent Smith, Neo's former nemesis.
“It was a little blue gingham check. It was the perfect personal memento that was secretly hidden inside the dress.” Meghan Markle and Prince Harry leave St George’s Chapel at Windsor Castle ...
Morpheus tells Agent Smith in one scene, "You all look the same to me." Nakamura said, "Primarily, the presence of people of color in the film lets us know we are in the realm of the real ; machine-induced fantasies and wish fulfillments, which is what the matrix is, are knowable to us by their distinctive and consistent whiteness."