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Telugu is an agglutinative language with person, tense, case and number being inflected on the end of nouns and verbs.Its word order is usually subject-object-verb, with the direct object following the indirect object.
Appa-kavi's Appakavīyamu is a work on grammar, and scholars Velcheru Narayana Rao and David Shulman call him "perhaps the most influential grammarian in Telugu". Only two chapters of this text survive - those on phonology and metrics.
In others, however, all three are transparently simple compounds, as in Tok Pisin, an English creole spoken in Papua New Guinea, which has singular mi, exclusive mi-pela, and inclusive yu-mi (a compound of mi with yu "you") or yu-mi-pela. However, when only one of the plural pronouns is related to the singular, that may be the case for either one.
Sri Suryaraya Andhra Nighantuvu is a Telugu language dictionary. It is the most comprehensive monolingual Telugu dictionary. [1] It was published in eight volumes between 1936 and 1974. [2] [3] It was named after Rao Venkata Kumara Mahipati Surya Rau, the zamindar of Pitapuram Estate who sponsored the first four volumes of the dictionary. [4] [5]
The term grammar can also describe the linguistic behaviour of groups of speakers and writers rather than individuals. Differences in scale are important to this meaning: for example, English grammar could describe those rules followed by every one of the language's speakers. [2]
The English word “scribe” derives from the Latin word scriba, a public notary or clerk. The public scribae were the highest in rank of the four prestigious occupational grades among the attendants of the Roman magistrates. [81] In the city of Rome, the scribae worked out of the state treasury and government archive. They received a good salary.
The first great English translation was the Wycliffe Bible (c. 1382), which showed the weaknesses of an underdeveloped English prose. Only at the end of the 15th century did the great age of English prose translation begin with Thomas Malory 's Le Morte d'Arthur —an adaptation of Arthurian romances so free that it can, in fact, hardly be ...
Avadhanis are respected for their abilities to spin out verses conforming to Telugu grammar on literally any subject that audience may throw at them, as a challenge. He has conducted more than 288 avadhanams, including Dvigunita Avadhanam at Dallas for the American Telugu Association in 2002.