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Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Pie Jesu" (/ ˈ p iː. eɪ ˈ j eɪ. z uː,-s uː / PEE-ay-YAY-zu; original Latin: "Pie Iesu" /ˈpi.e ˈje.su/) is a text from the final (nineteenth) couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "pious Jesus" in the vocative.
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S.-G. Pimont argued for the authorship of Ambrose of Milan. [1] The Benedictine editors and Luigi Biraghi disagreed. [2]The hymn is found in a hymnary in Irish script (described by Clemens Blume in his Cursus, etc.) of the eighth or early ninth century; but the classical prosody of its two stanzas (solita in the third line of the original text is the only exception) suggests a much earlier origin.
Canticle of Simeon (Nunc dimittis); Canticle of the Blessed Virgin (Magnificat); Canticle of the Three Children; Careworn Mother Stood Attending; Come, Creator Spirit; Come Down, O Love Divine
Apparebit repentina is an anonymous abecedarian Latin hymn on the Day of Judgement.Since it is mentioned by Bede, it is believed to date to the 7th century or earlier.. It was translated into English by John Mason Neale as "That great Day of wrath and terror" in his collection Mediaeval Hymns and Sequences (3rd ed. 1867).
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The Latin hymns are described as of Ambrosian or "pseudo-Ambrosian" type. The final hymn on fol. 117v is the Te Deum , the others appear to be original to the "Frankish Hymnal" tradition. Grimm's Latin text was reprinted by Migne (1845) in PL 17 in a collection of "hymns attributed to Saint Ambrose " ( hymni S. Ambrosio attributi ).