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Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
S.-G. Pimont argued for the authorship of Ambrose of Milan. [1] The Benedictine editors and Luigi Biraghi disagreed. [2]The hymn is found in a hymnary in Irish script (described by Clemens Blume in his Cursus, etc.) of the eighth or early ninth century; but the classical prosody of its two stanzas (solita in the third line of the original text is the only exception) suggests a much earlier origin.
Pie Jesu" (/ ˈ p iː. eɪ ˈ j eɪ. z uː,-s uː / PEE-ay-YAY-zu; original Latin: "Pie Iesu" /ˈpi.e ˈje.su/) is a text from the final (nineteenth) couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "pious Jesus" in the vocative.
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The Latin hymns are described as of Ambrosian or "pseudo-Ambrosian" type. The final hymn on fol. 117v is the Te Deum , the others appear to be original to the "Frankish Hymnal" tradition. Grimm's Latin text was reprinted by Migne (1845) in PL 17 in a collection of "hymns attributed to Saint Ambrose " ( hymni S. Ambrosio attributi ).