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Filming took place in the Philippines in May 1963. It was the first of a five-picture deal Nader signed with Medallion Pictures. [1] He was meant to follow it with Walk by the Sea, directed by himself, in Hong Kong. Nader had previously made The Great Space Adventure for producer Albert Zugsmith in the Philippines. [2]
In 1990, the Tianjin Watch Factory was awarded the status of a national company, and in 1992, the Tianjin Seagull Corporation was founded. That same year, the decision was made to discontinue the production of mechanical watches in favour of quartz watches; five years later it came to a complete reversal of this decision.
This is a list of films which placed number one at the weekly box office in the United States during 1963 per Variety's weekly National boxoffice survey. The results are based on a sample of 20–25 key cities and therefore, any box office amounts quoted may not be the total that the film grossed nationally in the week.
Entered into the 1963 Cannes Film Festival: Factory Queen: Mok Hong-See: Ying Ting, Cheung Yee, Lam Yim: Comedy [2] The Fake Lovers (aka A Funny Match) Chu Kei: Tang Pik-Wan, Cheng Pik-Ying, Cecelia Lee Fung-Sing: Comedy [3] Happy Ending: Chu Kei: Yam Kim-fai, Ng Kwun-Lai, Pak Fung-Sin, Lee Heung-Kam, Ma Kam-Neong: Lady with the Lute: Bu Wan ...
United Artists. 6 Academy Award nominations with 1 win; top-grossing film of 1963 Jason and the Argonauts: Don Chaffey: Todd Armstrong, Nancy Kovack, Honor Blackman: Fantasy: Columbia: Johnny Cool: William Asher: Henry Silva, Elizabeth Montgomery, Jim Backus: Crime: United Artists: Kings of the Sun: J. Lee Thompson: Yul Brynner, George Chakiris ...
Shih starred as a Japanese secret agent in his debut film Flower in the Sea of Blood that year. Nine years later, Shih was invited by film director Wu Pang to work with him on a series of Wong Fei-hung-related films. Shih gained fame for his portrayal of the villains in those films, and continued to play the role of the antagonist in several ...
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The film's terrible reception harmed the reputation of director Joseph L. Mankiewicz, who had an esteemed career for directing classics like A Letter to Three Wives, All About Eve, Julius Caesar, The Barefoot Contessa, Guys and Dolls, and Suddenly Last Summer.