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Kariyushi shirts manufactured in Okinawa for local Okinawan residents are usually adorned with characteristic Okinawan designs found in traditional Okinawan arts, shisa temple guardian designs, and simple floral patterns in muted colors. They are often used to promote tourism in Okinawa, and have been established in replacing the standard white ...
Shisa (Japanese: シーサー, Hepburn: shīsā, Okinawan: シーサー, romanized: shiisaa) is a traditional Ryukyuan cultural artifact and decoration derived from Chinese guardian lions, often seen in similar pairs, resembling a cross between a lion and a dog, from Okinawan mythology. Shisa are wards, believed to protect from some evils.
Bingata fabric 19th century ramie Ryukyuan dress showing bingata-dyed design of bamboo, cranes and plum blossoms. Bingata (Okinawan: 紅型, literally "red style") is a traditional stencilled resist dyeing technique originating in Okinawa Prefecture.
A shisa statue placed on a roof. The kijimunaa (or bunagaya) is one of the most famous of Okinawa's magical creatures. A sprite (Japanese yōsei), the kijimunaa resembles a short young boy and features bright red hair. [10] They look somewhat like a Troll doll. Some say that only children or the pure of heart can see the kijimunaa.
It is similar with Japan’s stacking style, but it is different in the use of white limestone. Accordingly, Okinawan houses are different from the houses found in mainland Japan in terms of aesthetics rather than style. [2] In fact, Okinawan houses are made of three different styles of stonework: aikata-zumi, nozura-zumi, and nuno-zumi. [3]
In 1954, Jirō Kinjō, a potter from Tsuboya, became the first Okinawan to be named a Living National Treasure. In addition to dishes, vessels, and roof tiles, Ryukyuan pottery is especially known for the production of funerary urns, and shisa, lion-like guardians placed on rooftops and at gates to protect homes and other spaces from evil spirits.
Ryusou can be made of high quality plain weave hemp fabric called jōfu, [4] and bashōfu (芭蕉布), which is banana fibre textile. [10] Bashōfu was the preferred textile for summer due to its airiness, for its smooth surface and because it does not stick to the skin in hot weather, making it suitable for the hot climate of Okinawa. [ 10 ]
Shisa statues can often be seen on or in front of houses—this relates to the ancient Ryukyuan belief that the male spirit is the spirit of the outside and the female spirit is the spirit of the inside. Godhood is mimicked with many attributes, and its in ease without any underlying symbolic order.
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