Search results
Results from the WOW.Com Content Network
By the mid-18th century, a woman took up three times as much space as a man and always presented an imposing spectacle. At their most extreme, panniers could extend the skirt several feet at each side. By the 1780s, panniers were normally worn only with very formal gowns and within court fashion. [1]
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque / Rococo style.
These 1795–1820 fashions were quite different from the styles prevalent during most of the 18th century and the rest of the 19th century when women's clothes were generally tight against the torso from the natural waist upwards, and heavily full-skirted below (often inflated by means of hoop skirts, crinolines, panniers, bustles, etc.). Women ...
To illustrate how fashion trends in Spain have evolved over 500 years, this fall’s show will pair paintings from the Meadows’ collection with historic dress and accessories from the Museo del ...
During the 1820s in European and European-influenced countries, fashionable women's clothing styles transitioned away from the classically influenced "Empire"/"Regency" styles of c. 1795–1820 (with their relatively unconfining empire silhouette) and re-adopted elements that had been characteristic of most of the 18th century (and were to be ...
They were replaced by small rolls or bum-rolls that persisted throughout the rest of the seventeenth century. In Spain, the Spanish farthingales evolved into the guardainfante and remained an identifiable part of Spanish dress until the eighteenth century. Anne of Denmark's daughter, Elizabeth Stuart, Queen of Bohemia, was in Prague in 1620 ...
El paseo por Andalucía, by Francisco de Goya, depicts both majas and majos.. Majo (masc., ) or maja (fem., ), also manolo and manola, after the most popular names, were people from the lower classes of Spanish society, especially in Madrid, who distinguished themselves by their elaborate outfits and sense of style in dress and manners, as well as by their cheeky behavior. [1]