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The FAB series of guitar effect pedals is a budget range of pedals made by the Danelectro company that are manufactured in China. The series was launched in 2005 with the release of the FAB Distortion, FAB Overdrive, and FAB Metal pedals. Currently, eight pedals share the same distinctive injection moulded plastic casing and blue LED light.
Nels Cline uses Silvertone and Danelectro guitars on his album Instrumentals [12] Bruce Cockburn; Ry Cooder plays slide guitar on Silvertone guitars. [13] Elvis Costello appeared in ads for Danelectro when the brand was relaunched in the late 1990s and plays Danelectro and Silvertone guitars on his album When I Was Cruel. [14] Gianluca ...
An overview of Vennart's pedalboard in 2015 revealed a Death By Audio Echo Dream 2 for delay (backed up with Boss DD-3 and DD-7 pedals); an Electro-Harmonix POG 2 polyphonic octave generator; a Danelectro Fab Tone (“for when I just want to kill everyone"); a Dwarfcraft Shiva Fuzz ("real volatile, horrible; it’s not nice"); an Electro ...
The OD-1's "overdrive" referenced the pedal's asymmetrical-clipping, tube-like distortion, [38] which stood in contrast to the brash sound of "fuzz" pedals on the market. [40] The OD-1's layout was simple—with only "Level" and "OverDrive" controls. It was an immediate success, paving the way for future compact overdrive pedals.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.
The Super OverDrive was released in 1981 as Boss's second overdrive pedal, adding a tone control to the earlier OD-1 design, while continuing to replicate the sound of tube amp-style overdrive [15] via an asymmetrical clipping circuit and an inherent midrange-focus, but with less bass roll-off. [10]
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
Companies who design and manufacture guitar or bass effects units, in pedals or other forms. Subcategories This category has the following 7 subcategories, out of 7 total.
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