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At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's brush. [2]
Mainly used for calligraphy. Coloured ink is oil soot ink that has been blended with pigments to create a solid ink of color. Most popular is cinnabar ink, which was reportedly used by Chinese emperors. An artist might commission a custom ink to suit their needs. Medical ink is produced by mixing standard ink with herbal medicines, and can be ...
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Zenga is a style of Chinese and Japanese calligraphy and painting, done in ink. The term is most often used for artwork by Buddhist monks, often without formal artistic training, and is sometimes contrasted with "nanga," or "literati painting," made by scholars. [1] In many instances, both calligraphy and image will be in the same piece.
Bokuseki (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy and more specifically a style of zenga developed by Zen monks. Bokuseki is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see Samadhi).
Bokujinkai (墨人会, “People of the Ink,” est. 1952) is a Japanese calligraphy collective, research group, and exhibition society. It was founded by the calligraphers Shiryū Morita, Yūichi Inoue, Sōgen Eguchi, Yoshimichi Sekiya, and Bokushi Nakamura.
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