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[6] [8] Chris Carter of Throbbing Gristle has called it "the most groundbreaking yet completely underrated electronic record of the 20th century". [ 9 ] A brief extract from the track "Black Mass: An Electric Storm in Hell" can be heard in the Hammer Film Productions film Dracula AD 1972 .
White Noise's first release was the 7-inch EP Live at Surf City (1978) by VOM, a short-lived punk ensemble led by notorious rock critic Richard Meltzer and featuring future Angry Samoans Gregg Turner and "Metal" Mike Saunders. The label's second release was Avengers, a 1979 12-inch EP by the Avengers, produced by Steve Jones of the Sex Pistols.
The first EVP recordings may have originated from the use of tape recording equipment with poorly aligned erasure and recording heads, resulting in the incomplete erasure of previous audio recordings on the tape. This could allow a small percentage of previous content to be superimposed or mixed into a new 'silent' recording. [57] [citation needed]
Fidelipac was originally a 1 ⁄ 4-inch-wide (6.4 mm) analog recording tape, two-track format. One of the tracks was used for monaural program audio, and the other being used for a cue track to control the player, where either a primary cue tone was recorded to automatically stop the cart, a secondary tone was recorded to automatically re-cue the cart to the beginning of the cart's program ...
The ear also responds less well to short bursts, below 100 to 200 ms, than to continuous sounds [1] such that a quasi-peak detector has been found to give the most representative results when noise contains click or bursts, as is often the case for noise in digital systems. [2]
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Reel-to-reel preceded the development of the compact cassette with tape 0.15 inches (3.8 mm) wide moving at 1 + 7 ⁄ 8 inches per second (4.8 cm/s). By writing the same audio signal across more tape, reel-to-reel systems give much greater fidelity at the cost of much larger tapes.
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