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The name of the design may have been [4] inspired by the operas The Barber of Seville (by Gioachino Rossini) and The Marriage of Figaro (by Wolfgang Amadeus Mozart). The origins of the Figaro chain date back to one of Italy's most notable family of jewellers and goldsmiths, The Riccardi Family .
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The collection consisted of a ring, a pendant necklace and a bracelet that was worth a lot more than she expected. The appraiser said, "The ring with the fine ruby and the very very white diamonds ...
The chatelaine was also used as a woman's keychain in the 19th century to show the status of women in a wealthy household. The woman with the keys to all the many desks, chest of drawers, food hampers, pantries, storage containers, and many other locked cabinets was "the woman of the household".
A mourning ring for the author Charlotte Brontë, for instance, was rediscovered in 2019 - it was inscribed with her name and death date (March 1855), and held a braid of her hair behind a locked panel. [12] The symbol of eyes had a powerful significance in mourning jewellery. [3] A single eye was often included in jewellery such as brooches. [3]
Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26] Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian ...
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