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Marmorino stucco. Marmorino Veneziano is a type of plaster or stucco.It is based on calcium oxide and used for interior and exterior wall decorations. Marmorino plaster can be finished via multiple techniques for a variety of matte, satin, and glossy final effects.
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture.
An Italian Baroque bedroom would feature some of the typical classical furnishings, with robust pieces that are heavily carved, and built in pieces in interior spaces. The Palazzo Sagredo bedroom, considered one of the finest examples of interior design from the period, features stucco carved in wood, and an abundance of detail in carvings ...
Post acquired 36,000 15th-century Spanish tiles, some with Moorish design influence, for the estate, as well as about 20,000 roofing tiles, varying in color from black to salmon, to complement Mar ...
The Italian term trullo (from the Greek word τρούλος, cupola) refers to a house whose internal space is covered by a dry stone corbelled or keystone vault. Trullo is an Italianized form of the dialectal term, truddu, used in a specific area of the Salentine peninsula (i.e. Lizzaio, Maruggio, and Avetrana, in other words, outside the Murgia dei Trulli proper), where it is the name of the ...
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
Common to both church and palazzi interior design was the stucco work. Stucco is an important component of the Baroque design and philosophy, as it seamlessly combines architecture, sculpture, and painting in three-dimensional form. Its combination with trompe l'œil ceilings and walls in Baroque illusionistic painting confuses reality and art.
The promotion of the fine arts over the decorative in European thought can largely be traced to the Renaissance, when Italian theorists such as Vasari promoted artistic values, exemplified by the artists of the High Renaissance, that placed little value on the cost of materials or the amount of skilled work required to produce a work, but ...
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