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For even to save herself from being burned, Tamar in Genesis 38:25 did not implicate Judah publicly by name. [96] Similarly, the Gemara derived from Genesis 38:25 a lesson about how to give to the poor. The Gemara told a story. A poor man lived in Mar Ukba's neighborhood, and every day Mar Ukba would put four zuz into the poor man's door socket ...
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Joseph identified by his brothers (1789 painting by Charles Thévenin). In the first reading, Judah approached Joseph, whom he likened to Pharaoh, and recounted how Joseph had asked the 10 brothers whether they had a father or brother, and they had told him that they had a father who was an old man (Jacob), and a child of his old age who was a little one (Benjamin), whose brother was dead, who ...
Some [who?] have argued that Lot's behavior in offering of his daughters to the men of Sodom in Genesis 19:8 constitutes sexual abuse of his daughters, which created a confusion of kinship roles that was ultimately played out through the incestuous acts in Genesis 19:30–38. [36] A number of commentators describe the actions of Lot's daughters ...
According to Genesis Rabbah 38.13, Ḥiyya b. Abba, a third-generation Amora, told following story: Abraham cast into the fire. Terah was an idol manufacturer who once went away and left Abraham in charge of the store. A man walked in and wished to buy an idol. Abraham asked him how old he was and the man responded “50 years old.”
Genesis 18:1 tells of the revelation when it says, “And the Lord appeared to him by the oaks of Mamre.” And Genesis 15:1 tells of the vision when it says, “After these things the word of the Lord came to Abram in a vision.” [114] Abraham Entertaining the Angels (drawing c. 1610–1620 by Jan Tengnagel at the National Gallery of Art
Job 38 is the 38th chapter of the Book of Job in the Hebrew Bible or the Old Testament of the Christian Bible. [ 1 ] [ 2 ] The book is anonymous; most scholars believe it was written around 6th century BCE.
1. The Genesis text analyzed is the current traditional manuscript. 2. The text, for the purpose of literary analysis, is regarded as having been written by an "author" who is responsible for the final version of the text. The literary reading, therefore, relates to what is expressed in the current form of the text, assuming its unity. 3.