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The municipal flag of Brussels (City of Brussels), as flown from the Town Hall and other buildings is a rectangle, divided horizontally with green over red, with a very large version of the municipal logotype in the centre, and a stylised, disc-shaped silhouette of St. Michael trampling the devil, in dark yellow. It is essentially the same ...
The Fortifications of Brussels (French: Fortifications de Bruxelles; Dutch: Vestingwerken van Brussel) refers to the medieval city walls that surrounded Brussels, Belgium, built primarily to defend the city but also for administrative reasons. There were two stages of fortifications of Brussels: the first walls, built in the early 13th century ...
The house was designed, from the very beginning, as a joint work intended for private use. Cauchie did the drawings for the house but worked together with his wife to design and decorate their home-workshop. Cauchie and his wife filled the house with their multiple works of art (i.e. paintings, wall coverings, furniture, etc.)
The Art Nouveau movement of architecture and design first appeared in Brussels, Belgium, in the early 1890s, and quickly spread to France and to the rest of Europe.It began as a reaction against the formal vocabulary of European academic art, eclecticism and historicism of the 19th century, and was based upon an innovative use of new materials, such as iron and glass, to open larger interior ...
The cathedral's origins are obscure, but historians agree that, as early as the 9th century, a chapel dedicated to Saint Michael probably stood in its place, on what was the most important point of Brussels at the time; the crossroads of two major trade routes—a first one connecting the County of Flanders and Cologne, and another between Antwerp and Mons, then France.
"Josef Hoffmann's Unknown Masterpiece: The Garden of Stoclet House in Brussels (1905–1911)," Studies in the History of Gardens and Designed Landscapes, Vol. 30, No. 4, pp. 337–372. Warlick, M.E. "Mythic Rebirth in Gustav Klimt's Stoclet Frieze: New Considerations of Its Egyptianizing Form and Content," The Art Bulletin , Vol. 74, No. 1 ...
The Halle Gate (French: Porte de Hal, pronounced [pɔʁt də al]; Dutch: Hallepoort) is a former medieval city gate and the last vestige of the second walls of Brussels, Belgium. [1] Built between 1381 and 1383, it was heavily restored in the 19th century in its current neo-Gothic style by the architect Henri Beyaert .
Conceived in 1860 and inaugurated in 1887, it is dedicated to the history and folklore of the City of Brussels from its foundation into modern times, which it presents through paintings, sculptures, tapestries, engravings, photos and models, including a notable scale-representation of the town during the Middle Ages.
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