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The Vestal Virgin Tuccia (Italian: La Vestale Tuccia) or Veiled Woman (Italian: La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath.
The Veiled Virgin is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875) [2] depicting the bust of a veiled Virgin Mary. [3] The exact date of the statue's completion is unknown, but it was probably in the early 1850s. [4] The veil gives the appearance of being translucent, but is carved of marble
The Veiled Rebecca is an example of the neoclassical naturalist style, popular during the 19th century. [13] The Veiled Lady, or Rebecca shows how Antonio Canova's and other Neoclassical sculptors' work had an influence on Benzoni as well as how well-versed he was in earlier eighteenth-century sculptural style. As Boström noted, veiled figures ...
The Veiled Vestal (Italian: La vestale velata) is an 1847 sculpture by Raffaelle Monti. It was commissioned by William Cavendish, 6th Duke of Devonshire during an 1846 trip to Naples. It is a representation of a Vestal Virgin , the priestesses of the Ancient Roman goddess Vesta .
Modesty or Chastity (Italian: La Pudicizia) or Veiled Truth by Antonio Corradini is a sculpture completed in 1752 during the Rococo period. Corradini was commissioned by Raimondo di Sangro to sculpt a memorial for his mother in the Cappella Sansevero in Naples , where the marble sculpture still remains.
A statue signifying resilience has replaced a legacy of pain, its gaze fixed on California’s Capitol dome. The California Native American Monument now stands on the grounds of the state Capitol ...
[1] The first statue was installed in 1870, and, by 1971, the collection included at least one statue from every state. In 1933, Congress passed House Concurrent Resolution No. 47, which limited each state to only one statue in the Statuary Hall. Others would be distributed throughout the Capitol building. [1]
Rossi's 1882 marble bust of a veiled lady in the Gibbes Museum of Art is a prime example of the Italian nationalist art movement called Risorgimento. The image of the veiled woman was intended to symbolize Italy just as Britannia symbolized England, Hibernia symbolized Ireland, and Lady Liberty symbolized the United States.