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An extension of the homestead principle in law, the Homestead Acts were an expression of the Free Soil policy of Northerners who wanted individual farmers to own and operate their own farms, as opposed to Southern slave owners who wanted to buy up large tracts of land and use slave labor, thereby shutting out free white farmers.
Architectural and Engineering Plans (2,500 items): Paper tracings and blueprints of "subsistence homesteads" and "experimental villages" built by the Subsistence Homesteads Division (Interior), Division of Subsistence Homesteads (Resettlement Administration), and FSA, including plans of the Arthurdale Community and Reedsville, WV, projects ...
The architecture was especially catered to large families of the traditional tharavadu, to live under one roof and enjoy the commonly owned facilities of the marumakkathayam homestead. A nadumuttam. Thachu Sastra, or the Science of Carpentry and Traditional Vasthu, was the governing science in this architectural form.
Dispersed settlement or Streusiedlung in Brülisau, Appenzell Innerrhoden, Switzerland. A dispersed settlement, also known as a scattered settlement, is one of the main types of settlement patterns used by landscape historians to classify rural settlements found in England and other parts of the world.
Western Nebraska counties to which the Kinkaid Act applied. The Kinkaid Act of 1904 (ch. 1801, 33 Stat. 547, Apr. 28, 1904, 43 U.S.C. § 224) is a U.S. statute that amended the 1862 Homestead Act so that one section (1 mi 2, 2.6 km 2, 640 acres) of public domain land could be acquired free of charge, apart from a modest filing fee.
Inside a hut looking towards the ceiling. An African round hut is a seen as vernacular architecture since they are built of readily available materials. The huts can be built using mud, cow manure, bricks or grass in some cases.
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At the beginning of house painting, their symbols and patterns were often based on Ndebele's beadwork. The patterns were tonal and painted with the women's fingers. The original paint on the house was a limestone whitewash. The colors added to make the paintings were mostly natural pigments consisting of browns, blacks, and others.